Teen Beach Movie

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Two surfing lovers, whose doomed relationship is nearing to a close, find themselves swept into a time-travelling tidal wave that transports them to the 60s, where they find themselves during filming of a beach musical movie.

Director: Jeffrey Hornaday
Writers: Vince Marcello (story), Mark Landry (story), 3 more credits »
Stars: Ross Lynch, Maia Mitchell, Grace Phipps

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Storyline

Life's a beach for surfers Brady and McKenzie -- until a rogue wave magically transports them inside the classic '60s beach party flick, Wet Side Story, where a full-blown rivalry between bikers and surfers threatens to erupt. There, amidst a sea of surfing, singing and dancing, Brady and Mack accidentally change the storyline, and the film's dreamy hero and heroine fall for them instead of for each other! Written by The Disney Channel

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Teen Beach Movie Movie Reviews

I love this movie so much! I watched it 4 times in just 3 days! It is so great, I just couldn't help it. The choreography is so amazing, I just want to learn all the dances! I love singing along to all the songs, and just play those even more times! More that 10 times each song, plus I've watched the bonus dances about 3-4 times each too. I loved the way each character had their own uniqueness, and how they stuck to the oldies as much as they could (Sure, there were definitely some things that were NOT old). I also found it awesome show Disney Channel is just as funny as it always has been. It just makes you feel warm inside, watching movies or TV shows like this. They don't need to be dirty or degrade anyone in order for it to be funny. And with this type of thing, you just need to be open to love it. I actually went into it hating it but about 30 minutes in the first time I watched it I started loving it. It's funny how sometimes you just need to convince your mind of something. I think that it's just a thing we do, we block something because we think it'll be stupid, or something. Oh, and another reason why I went in hating it is because the main guy that is from Austin & Ally? Yeah, I hate Austin. But I love him in this movie! He just wants to dance and have fun, and he's optimistic just like me! Anyways, I just wanted to give a review on this because I loved it so much! 

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Adventure Movies ,

Best Player

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Gamer Quincy is the master of games until he meets his match. A kid named "Prodigy" keeps beating him. Quincy falls in love with a woman but is frightened when he finds out her daughter is ... See full summary »

Director: Damon Santostefano
Writer: Richard Amberg
Stars: Jerry Trainor, Jennette McCurdy, Amir Talai

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Storyline

Gamer Quincy is the master of games until he meets his match. A kid named "Prodigy" keeps beating him. Quincy falls in love with a woman but is frightened when he finds out her daughter is Prodigy. A.K.A Chris who just so happens to not approve of him. Written by Chloekittena


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Best Player Movie Reviews

I go way back watching these two actors, it's really hard to say who is funnier, Trainer comes off as more energetic, as McCurdy stands to be a more psychically, and more wittier!

The story is actually pretty relatable, a guy in his 20's on a video gaming universe is beat by a kid half his age, admit it, we've all been there! As a huge tournament begins to emerge for the game, they both plan to sabotage each other's status, at any means necessary.


I enjoyed the flick, I'm a big video game nerd, and I feel them! It's a fun time! Even if you're not even really a huge game nerd, you can laugh at it!

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Adventure Movies ,

Ocean Girl

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Neri - the title character - is a young girl with an affinity for water, super-human strength, the ability to swim long distances, and super-human lung capacity. She lives alone on an ... See full summary »

Creator: Jonathan M. Shiff
Stars: Marzena Godecki, David Hoflin, Jeffrey Walker

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Storyline

Neri - the title character - is a young girl with an affinity for water, super-human strength, the ability to swim long distances, and super-human lung capacity. She lives alone on an otherwise deserted island. Early in the first season, Neri befriends two Australian boys: Jason and Brett Bates. This friendship is at first a highly guarded secret due to Neri's fear of other humans. The Bates brothers live in an elaborate underwater research and environmental protection facility called ORCA (the Oceanic

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Research Center of Australia), located near Port Douglas, Queensland. At the beginning of the series, their mother, Dr. Dianne Bates, has been assigned to ORCA to study whale song in the hopes of facilitating cross-species communication. A significant portion of the series takes place on ORCA itself, and looks at the activities of its inhabitants, which includes the school-aged children of the resident scientists, such as Jason and Brett. Written by adventure

Ocean Girl Movie Reviews

Ocean girl was a show on the Disney Channel that my sister and I used to watch when I was probably like 7 or 8. I really used to love it and looked forward to the new episodes on Monday night. It was about a girl who lived on an island and could actually communicate with a whale who was her best friend. She later met 2 teenage boys that lived on an underwater community with their parents, who studied whales. She also had a sister but she didn't come until later on in the season or maybe even the second season. I remember that she could also hold her breath for like 4 minutes, and she some times talked to her father who was dead, but I forgot how exactly they communicated. There were also these "villain" scientists who were also trying to learn about the whales and were competing with the people from the underwater habitat. It was definitely not your typical show of that day, but it was something that you had to follow and it was really mind boggling.  

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Adventure Movies ,

Remo Williams: The Adventure Begins

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Director: Guy Hamilton
Writers: Richard Sapir (novel), Warren Murphy (novel), 1 more credit »
Stars: Fred Ward, Joel Grey, Wilford Brimley
An officially "dead" cop is trained to become an extraordinarily unique assassin in service of the US president.

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Storyline

An NYPD cop is 'killed' in an accident. The death is faked, and he is inducted into the organization CURE, dedicated to preserving the constitution by working outside of it. Remo is to become the enforcement wing (assassin) of CURE, and learns an ancient Korean martial art from Chiun, the Master of Sinanju. Based on the popular pulp series "The Destroyer," by Richard Sapir and Warren Murphy. Written by Ed Sutton <esutton@mindspring.com>

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Remo Williams: The Adventure Begins Movie Reviews

This is a good movie...about a cop, who is recruited to be part of this secret agency. He is basically recruited there against his will, as he is given a new face and even a new name. It is funny how he gets the name Remo Williams; a lot of thought was put into it. Most of this movie is the training that Remo (play excellently by Fred Ward) must go through to become the agent. His teacher is an old Korean played by Joel Grey who is great in the role. It is funny watching this two do their roles cause they are great and have a very good chemistry on the screen. Most of the action takes place near the end, as Remo has to investigate this guy whom sales weapons and stuff to the military. Great conclusion to this one as there is some good action scenes. Too bad there was never a sequel to this one cause it was a fun movie to watch. 

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Adventure Movies ,

Dances with Wolves

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Lt. John Dunbar, exiled to a remote western Civil War outpost, befriends wolves and Indians, making him an intolerable aberration in the military.

Director: Kevin Costner
Writers: Michael Blake (screenplay), Michael Blake (novel)
Stars: Kevin Costner, Mary McDonnell, Graham Greene

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Storyline

Lt. John Dunbar is dubbed a hero after he accidentally leads Union troops to a victory during the Civil War. He requests a position on the western frontier, but finds it deserted. He soon finds out he is not alone, but meets a wolf he dubs "Two-socks" and a curious Indian tribe. Dunbar quickly makes friends with the tribe, and discovers a white woman who was raised by the Indians. He gradually earns the respect of these native people, and sheds his white-man's ways. Written by Greg Bole 

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Dances with Wolves Movie Reviews

When I first saw the movie Dances With Wolves several years ago the story affected me in a heavy way, so much so that I decided that it would be a long time before I watched it again. The story is not entertainment. It is a lesson. Last week I watched the movie again with a new understanding. Many of the published reviews seem to dislike the movie for various reasons. They are the ones that missed the point of the story.

The story is, of course, fiction based on a novel by Michael Blake. Fortunately, Michael Blake also wrote the screenplay for the movie insuring fidelity with his vision. To the credit of Kevin Costner, who was one of the producers and the director, he allowed the story to be what Michael Blake had originally created. Costner showed great sensitivity in not only capturing the personalities of all the major characters, but making the land itself (in this case South Dakota) one of the major players.

The land was not just a backdrop or playing field. It was the main character and very much alive. The cinematography was some of the best I've ever seen and in the tradition of the great movie director, John Ford. Ford had an ability to present the land in all its beauty, which also just happened to have a story occurring on it.

In Dances With Wolves, the land of South Dakota might initially appear to be a bleak place, but as Lieutenant Dunbar (Costner) spends more time at his isolated fort, he somehow slowly merges his soul with the surrounding territory. The life on the land eventually stumbles onto his location, including a wolf and a tribe of Sioux. The Sioux and Dunbar mistrust each other initially but through curiosity learn how to communicate with each other, however painfully slow. The wolf too was curious about the soldier, but kept his distance for a while. Finally, the wolf trusts Dunbar enough to play with him on the prairie. The Sioux see them playing. Here was a white man not killing the animals. He had earned a new name: Dances-With-Wolves.

The main difference between this movie and a John Ford movie was the way Costner humanized the Sioux characters. In a John Ford movie, most Indians were the enemy. The only 'good' Indians were the cavalry scouts, but we never really met these scouts as people. John Ford hired Navaho people to play the parts of Indians in his cavalry trilogy, Fort Apache, She Wore a Yellow Ribbon and Rio Grande, which were filmed in Monument Valley on the Navaho Reservation. Years later, Ford attempted to humanize the Native Americans in a movie called Cheyenne Autumn, but by then Ford was an old man and had lost most of his creative genius. It is a hard movie for me to watch.

Costner's movie takes great pains to allow us to know the Sioux characters. The story is about them as seen through the eyes of a perceptive white man, who had been given a new life by the gods when his attempt at suicide ended with his recognition as a war hero.

What I see when I watch the movie: I see ten thousand years of evolution and experience of a human tribe on the North American continent with the most recent characters at the leading edge of the current (1860) time. The character's lives are so well presented that I sense the history of their past In other words, I understand why they do what they do. What depresses me about the movie is that I know the ending but the characters don't. I know that their natural way of life is coming to an end. The characters don't know. To me, the movie is a story of the 4 billion, six hundred million years of natural evolution which is about to meet technology. Technology will be as devastating to this tribe and the land as if an asteroid had hit the earth.

The beauty of the Sioux life is so precisely shown in this movie. Their everyday routine of just living off the land is seen the same way as a buffalo eating the grass. The Sioux adapted to the land the way it was. You see the grass move in waves like the ocean does when the invisible winds touch the surfaces. You see the effects of the same winds that blow across the face and hair of Stands-With-a-Fist. You hear the same winds. The same winds take the smoke from the lodges away from the village. The land and air and life merge in a poetic movement.

The horses seem more natural and free in their herd next to the village. They are part of the tribe. You can see the magnificence of the Sioux riders as they become one with the horse as they hunt the buffalo. I suppose, in a way, the horse was a step in technology for the Sioux since they didn't have the horse until the Spanish Conquistadors brought them. But when they adapted their life to the horse, they became a great people. I look at it as a step in evolution, not a step in technology.

We find that the holy man, Kicking-Bird, played by Graham Green, was a hen-pecked husband, something we can all identify with no matter what race or ethnic group. His wife saw more than he did, especially the budding love between Lieutenant Dunbar and Stands-With-a-Fist, who was played by the heavy-duty stage actress Mary McDonnell. She is important to our story because we understand the Sioux from her translations. As an actress, she was so convincing in her struggle to remember long forgotten English words from her childhood, from the time before she came to live with the Sioux. Kicking-Bird on the other hand represented the soul of the Sioux People. He was patient and was the type of person you would want as a friend.

We have Rodney Grant playing the part of Wind-in-His-Hair, the warrior who was quick to anger but was smart enough to listen to his elders and not kill the white soldier. Rodney Grant represented the beauty and pride of the Sioux People. He speaks the last relevant words in the story by proclaiming that he is the friend of Dances-With-Wolves. Before Dunbar became Dances-With-Wolves, Wind-in-His-Hair would have been happy to kill him.

`Red Crow' Westerman played the part of the chief, Ten-Bears. We've seen him play the part of a shaman in other movies. He represented the wisdom and of the Sioux People and was also their prophet.

What movie about Native Americans could be told without Wes Studi? In this movie he plays the enemy Pawnee so convincingly that you really hate him. Not only is he the enemy to the white man but the Sioux also. Wes Studi can be very intense in his savagery, but in the eyes of the Pawnee, he was only protecting his tribal interests.

So we see the Sioux and, to a lessor degree, the Pawnee in their soon-to-end natural states. We immediately feel at home with the Sioux. The Pawnee aren't quite as lovable, especially when we see Wes Studi scalping the muleskinner. The first disturbing scene is when the Pawnee attack the Sioux village and we see that to save themselves, the Sioux need the technology (the rifles) of the white soldier. The Pawnee were so fierce looking (again convincingly by Wes Studi) that we fear for the Sioux tribe but see that the rifles are out of place in this natural world. It is another technological step in the same magnitude as the horse. But for all their beauty and greatness, we know they cannot win the final battles with the white civilization because they are so grossly outnumbered.

There is the core of the problem. The over-population of the modern civilization overruns their own land so they come to the land of the Sioux and destroy without asking. You could see it in the face of every tribal member as they walked past dead and skinned buffalo which were left to rot in the sun after the buffalo hunters had skinned them for their hides. They were absolutely stunned and sick at the sight. Whoever did this had no soul. I extend the message of this movie to today and see population running amuck, stripping the land of resources and changing the atmosphere. It is too painful to contemplate.

To emphasize the loss and waste of the beautiful prairie life, near the end of the movie we see the soldiers shooting at the wolf for fun. The wolf is confused and doesn't understand that bullets are hitting near him. Eventually a bullet strikes the wolf and we hear him cry out. For me that was the most painful scene of all because I know that's what people do. I see people kill a beast for the trophy. They take it home and hang it on the wall. The soul of that animal has been cast aside by a human, which has no soul.

The beauty is not in the trophy. The beauty is in the life. The ending for the wolf represents the ending for the Sioux and all the other tribes that lost the natural way of life. Therefore I am just as disturbed for the Sioux as I am about the wolf. I am disturbed for the future of the Earth. 

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Adventure Movies ,

Saving Private Ryan

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 Following the Normandy Landings, a group of U.S. soldiers go behind enemy lines to retrieve a paratrooper whose brothers have been killed in action.

Director: Steven Spielberg
Writer: Robert Rodat
Stars: Tom Hanks, Matt Damon, Tom Sizemore

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Storyline

Opening with the Allied invasion of Normandy on 6 June 1944, members of the 2nd Ranger Battalion under Cpt. Miller fight ashore to secure a beachhead. Amidst the fighting, two brothers are killed in action. Earlier in New Guinea, a third brother is KIA. Their mother, Mrs. Ryan, is to receive all three of the grave telegrams on the same day. The United States Army Chief of Staff, George C. Marshall, is given an opportunity to alleviate some of her grief when he learns of a fourth brother, Private James Ryan, and decides to send out 8 men (Cpt. Miller and select members from 2nd Rangers) to find him and bring him back home to his mother... Written by J.Zelman

Saving Private Ryan Movie Reviews

It gives a million reason why no one should go to war and one very powerful reason to go to war. It is a soul numbing realistic depiction of what our grandfathers, fathers, uncles, brothers and sons have faced in humanities darkest moments. Not just in WWII but in any war. No one can see this movies without being altered in some way. No one should miss it with the EXCEPTION of those war veterans that have already been there. The surround sound puts the audience in the middle of the battle.

Steven Spielberg has out done himself and effectively held up a mirror to civilization for events to which we should all be ashamed of, rather than appalled at the movie for its real life depictions. I suggest that this movie be made standard view for congress as well as the President each and every time the question of war comes up. This movie would not stop future wars but I would hope the objectives would be much more clearly defined. I say this as a US Marine. 

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Adventure Movies ,

The Bucket List

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Two terminally ill men escape from a cancer ward and head off on a road trip with a wish list of to-dos before they die.

Director: Rob Reiner
Writer: Justin Zackham
Stars: Jack Nicholson, Morgan Freeman, Sean Hayes

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Storyline

Corporate billionaire Edward Cole and working class mechanic Carter Chambers have nothing in common except for their terminal illnesses. While sharing a hospital room together, they decide to leave it and do all the things they have ever wanted to do before they die according to their bucket list. In the process, both of them heal each other, become unlikely friends, and ultimately find joy in life. Written by r2k443

The Bucket List Movie Reviews

"The tragedy of old age is not that one is old, but that one is young." Oscar Wilde, The Picture of Dorian Gray

Now and then I should rethink what I've been learning all these years as a critic because I predicted The Bucket List would have all kinds of holes in it. It did, but they were tiny blemishes in an otherwise solid frame. This is a good movie, as much silly as serious. And therein lies the skill of director Rob Reiner, who makes sure Jack doesn't kill the lines with bluster and Morgan doesn't drown them in vocal sweetness.

Edward (Nicholson) and Carter (Freeman) meet in hospital where they have been given less than a year to live because of cancer. They bond, create the "kick-the-bucket" list of ten things to do before dying, and then do them. The hokey process shots at several of the world's wonders indicate the surety of Reiner's direction where he evokes the old Hope and Crosby road pictures and emphasizes that the journey is the important thing, not the destination.

Both men laugh and cry and change in subtle ways that make this not a maudlin exercise in death denial but rather a celebration of love through friendship, regardless of the grim future. Although Justin Zachman's script is overall weak given the actors' worth, there are lines that save it all from mediocrity: As Edward the cynic says, "We live, we die, and the wheels on the bus go round and round." As Carter the humanist says, "You measure yourself by the people who measure themselves by you." The two philosophies, fate and love, caress in a slow dance to recognition of life's true value.

The Bucket List is not half as sappy as I sound so far; it is a sober rendering of life's lessons at the end by two different men who find their common humanity. 

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Adventure Movies ,

Scarface

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In 1980 Miami, a determined Cuban immigrant takes over a drug cartel while succumbing to greed.

Director: Brian De Palma
Writer: Oliver Stone (screenplay)
Stars: Al Pacino, Michelle Pfeiffer, Steven Bauer

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Storyline

Tony Montana manages to leave Cuba during the Mariel exodus of 1980. He finds himself in a Florida refugee camp but his friend Manny has a way out for them: undertake a contract killing and arrangements will be made to get a green card. He's soon working for drug dealer Frank Lopez and shows his mettle when a deal with Columbian drug dealers goes bad. He also brings a new level of violence to Miami. Tony is protective of his younger sister but his mother knows what he does for a living and disowns him. Tony is impatient and wants it all however, including  Frank's empire and his mistress Elvira Hancock. Once at the top however, Tony's outrageous actions make him a target and everything comes crumbling down. Written by garykmcd

Scarface Movie Reviews

"A Classic is something that everybody wants to have read but nobody wants to read. A classic is also something that everyone praises but no one has read." -Mark Twain

'Classic' seems to be the word used to describe "Scarface", Brian DePalma's 1983 film about opulence, self surrender, greed, and danger among Florida's drug ring. People and critics (and rappers for that matter) deem this film 'an epic gangster classic' or 'eptiome of gangster films.' When it is anything but. It is praised for all the wrong reasons. Scarface is a terrific film that deserves praise from all over, but not all the praise it gets from audiences today, and therefor the fine points it so poignantly makes are missed by the general public.

First off, the film is about a Cuban refugee, with a past of wanting to escape communism grasp and find happiness. Simple? Yes. But the layers of De Palma's directing genius, and the great story written by Oliver Stone (yes I know, he actually wrote a real good one here) play into all of it. The characters are all looking for an escape, as escape is a natural element dealt with in the film by all. Each character has something to offer, that makes them likable by everyone who could appreciate this film. They are entwined in a world of mystique and money, but all that has a price, as they all learn. Each character thinks they are getting better chances in life, when in true dramatic irony, they are actually getting worse. 'Tragedy' would be a better word to describe this movie. All those who praise the film for it's drug usage, it's violence, it's dialog, totally missed the point. There is nothing really positive about the film besides the characters positive expectations of themselves. And that is why the film works so well. The devastation through out the film serves to deliver the message of the film, not to look cool or attract viewers. Brian De Palma doesn't make movies for cult gangsters, or brainless action fans.

Next on, the film is an adult drama. It is not a 'gangster film'. It has it's share of action, but the action is plotted very carefully, so it has a point. It's not like "Aliens"- an example of a big dumb action film, and most audiences perceive this film as a big dumb action gangster film about doing drugs and shooting people. Ridiculous. Hogwash. If this film is about that, then it is about how bad it is. Not a promotion of it.

This being said, the film is indeed a great film. It has great cinematography that pulls you into the story. It has a very dramatic score (in true Giorgio Moroder style), which simply could give you chills, or bring you to tears. The film is rather lengthy, but it is a story, and each moment counts. The acting is terrific. Al Pacino - enough said. He can do any role that he puts his mind to, and this was no exception. Pretty boy Steven Bauer, as Manny. I didn't think much of him in other films he did, but he actually makes you like him when he goes under maestro De Palma's direction. Michelle Pfeiffer is a true gem as Elvira. Popping' fresh off the heels of a sort of embarrassment in "Grease 2" she got her ticket to ride performing a no holds barred performance of a beauty that is more than meets the eye. But the three true diamonds in this rough are Mary Elizabeth Mastrontonio as Tony's sister Gina, who when she smiles, or cries, we see her soul and her fresh way of living, and watch it deteriorate; Paul Shenar as Alejandro Sosa, a drug lord, who runs deeper than a river, and Shenar portrays him as so; and Miriam Colom as Tony and Gina's torn mother. These three dig the film as deep as it can go.

This reviewer learned one main thing when watching "Scarface" for the first time. Always go into a film unsuspecting. All the hype and talk of this film cannot possibly prepare you for what you really see. Only knowing De Palma (like I do) can give you even a glimpse of what this film holds. So ignore the rap crap, ignore the mindless violence supporters, and fix yourself a glass of Bailey's on the rocks, and indulge yourself in an emotional viewing of a great film, the real "Scarface." 

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Adventure Movies ,

Goodfellas

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Henry Hill and his friends work their way up through the mob hierarchy.

Director: Martin Scorsese
Writers: Nicholas Pileggi (book), Nicholas Pileggi (screenplay), 1 more credit »
Stars: Robert De Niro, Ray Liotta, Joe Pesci

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Storyline

Henry Hill is a small time gangster, who takes part in a robbery with Jimmy Conway and Tommy De Vito, two other gangsters who have set their sights a bit higher. His two partners kill off everyone else involved in the robbery, and slowly start to climb up through the hierarchy of the Mob. Henry, however, is badly affected by his partners' success, but will he stoop low enough to bring about the downfall of Jimmy and Tommy? Written by Colin Tinto <cst@imdb.com>

Goodfellas Movie Reviews

Amazing is the one and only word to say for this film. I have always thought that Goodfellas was one of the greatest films ever made and set a landmark in the 90's or even in movie history. I bought Goodfellas last week and I got to watch the film a couple days ago. I really just couldn't lay my eyes off the film and everything about it was just simply worth watching. The acting was excellent, Ray Liotta, Robert DeNiro, Joe Pesci, Lorraine Bracco, and other actors did great and almost all of the characters they portrayed were 100% accurate. The camera-work also was brilliant and Martin Scorsese does a beautiful job by putting excellent camera shots in his films and I give him high credit for that. The soundtrack too is one of the best soundtracks ever made and the song "Layla," put chills down my spine of how great this song fitted the film. Overall, Martin Scorsese made his best film in my opinion and him and Nicholas Pileggi made an excellent and sharp script that made this, the greatest mob film still today. 

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Adventure Movies ,

Hotel Rwanda

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The true story of Paul Rusesabagina, a hotel manager who housed over a thousand Tutsi refugees during their struggle against the Hutu militia in Rwanda.

Director: Terry George
Writers: Keir Pearson, Terry George
Stars: Don Cheadle, Sophie Okonedo, Joaquin Phoenix

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Storyline

During the 1990s, some of the worst atrocities in the history of mankind took place in the country of Rwanda--and in an era of high-speed communication and round the clock news, the events went almost unnoticed by the rest of the world. In only three months, one million people were brutally murdered. In the face of these unspeakable actions, inspired by his love for his family, an ordinary man summons extraordinary courage to save the lives of over a thousand helpless refugees, by granting them shelter in the hotel he manages. Written by Sujit R. Varma

Hotel Rwanda Movie Reviews

I was fortunate to see this film at the Toronto Film Festival. I had heard nothing about this film before I read up on it in the Fest guide and originally was going to see something else. But, the subway happened to shut down and I was not going to be able to see the film I originally intended. So, I decided to give this a try.

And I am so very glad I did.

This film is by far the best drama I have seen all year, and indeed was the best film of the 11 I saw at the festival. It is gripping, heart-wrenching, and opens your eyes to so many things. Don Cheadle -- who I am a long time admirer of his work -- is phenomenal in the lead role, and I hope that he is nominated for Best Actor this year, because he certainly deserves it.

I am recommending this film to everybody I know and I hope that it gets a wide distribution because it certainly is a film that needs to be seen. While comparisons can be made to Schindler's List, I think that this film goes further to show that events like the Holocaust can happen any time -- even now -- so long as people look away, just as the UN did in Rwanda. It certainly makes one think about how easy it is for us to forget our history and allow it to be repeated, because (as one character says) we will watch it on TV, say that it is terrible, and go right on eating our dinner. 10/10 

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Adventure Movies ,

The Green Mile

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The lives of guards on Death Row are affected by one of their charges: a black man accused of child murder and rape, yet who has a mysterious gift.

Director: Frank Darabont
Writers: Stephen King (novel), Frank Darabont (screenplay)
Stars: Tom Hanks, Michael Clarke Duncan, David Morse

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Storyline

Death Row guards at a penitentiary, in the 1930's, have a moral dilemma with their job when they discover one of their prisoners, a convicted murderer, has a special gift. Written by Guy Johns

The Green Mile Movie Reviews

Frank Darabont returns to the directors chair with another adaptation of Stephen Kings novel. The events take place at a death row, the guards call the green mile. The story is a layered, rather character-driven fantasy tale of the events that transpire at "the mile" after the arrival of a giant man, John Coffey (Michael Duncan), convicted of the murder of two small girls. Actually this is not one single story, but several tied together seamlessly.

A character-driven movie requires a lot from the cast, and fortunately when it comes to cast, The Green Mile delivers. As the poster of the movie tells, this movie stars Tom Hanks as Paul Edgecomb, senior prison guard of the mile, and as always he performs very well indeed. Yet the cast around him is even more spectacular, perhaps partially due to them being relatively unknown. With a face you know, one inevitably remembers previous performances, and the new role is coloured by this. Doug Hutchison as Percy Wetmore, a mean spirited prison guard was particularly impressive, yet his character could have been given more depth. The most captivating was the performance of Michael Duncan.

It is hard to find a flaw in this movie. The camerawork is superb, cast wonderful and direction flawless. The movie's considerable length, a bit over three hours, is something that had me worried. Yet the marvellous cast and the peaceful yet firm pace of the movie held my attention progressively through the three hours right to the touching culmination. Many will find this movie to be too long, but I for one was delighted of the style, combination of simplicity of events and depth of characters and conversation.

All in all the The Green Mile is a very touching drama, with the joys and sorrows of the life pictured with great skill, if not the best movie of the year. Five out of five.

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Adventure Movies ,

The Godfather

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The aging patriarch of an organized crime dynasty transfers control of his clandestine empire to his reluctant son.

Director: Francis Ford Coppola
Writers: Mario Puzo (screenplay), Francis Ford Coppola (screenplay), 1 more credit »
Stars: Marlon Brando, Al Pacino, James Caan

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When the aging head of a famous crime family decides to transfer his position to one of his subalterns, a series of unfortunate events start happening to the family, and a war begins between all the well-known families leading to insolence, deportation, murder and revenge, and ends with the favorable successor being finally chosen. Written by J. S. Golden

The Godfather Movie Review

This is a masterpiece. A timeless masterpiece. Initially, I didn't like this film all that much - I found it rather over-hyped and boring. This was until the advent of DVD, which gave me the feature I needed for this sort of film: subtitles. Once I switched them on and heard (read) every last word of Brando's ramblings and other characters ramblings, I grew a true appreciation for this epic.

To make a true epic, you need all of three following ingredients working in near perfect harmony. For screenwriters who come across this, take the following pointers on board: 1) Contrasting Characters: Good films have some character distinction, but most fall rather flat because the core of each character is the same.

Of course, there are exceptions to rule (ie... where you want mono-tonal characters... aka matrix; or where you want outlandish contrasts... aka The Fifth Element), but ultimately, this is what makes films deep, meaningful and grand. Consider the contrasts between the Don's children. Michael is rather cool, rational and collected, whereas Sonny is more hot-headed, spontaneous and simple minded. But simply having these contrasts is not nearly enough. What you really need to do is to develop these characters - place them in situations - and then dwell on how their character impacts on the situation they're put in. The Godfather is a terrific example of how to pull this off. While many try to do this in screenplays, most lose the plot and create character obscurities that stretch credibility.

2) Transformation: The central character(s) must undergo a transformation, resulting in them being almost unrecognizable by the end of the film. By putting them into situations, the character's character must not only influence the outcome of the situation; it must also have a lasting impact on the character. Consider Michael at the wedding and compare that to the Michael we see at the end of the film. Again, many films try, but most fail because they come up with unreal (literally, not praisingly) or simply moronic transformations (eg, Wall Street).

3) Patience: Men in Black 2 was an astounding film for one simple reason - it was an entire film squashed into about 70 minutes. It was not much longer than an episode of ER or Buffy. I certainly hope the new goal of Hollywood isn't to make films as short as possible.

All the great ones spend time - time developing characters, family life, growth, patience with the story telling in general. This is the key (provided that the story isn't mind-numbingly boring). Dances with Wolves, Heat.. and so on are very patient but top-class films. While studios may be lukewarm on the idea of longer films, they are worth it if you have a ripper story to base it on.

I feel that this film has not dated all that much and has tremendous re-watch-ability.

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Adventure Movies ,

Robin Hood

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In 13th century England, Robin and his band of marauders confront corruption in a local village and lead an uprising against the crown that will forever alter the balance of world power.

Director:

 Ridley Scott

Writers:

 Brian Helgeland (screenplay), Brian Helgeland(story), 2 more credits »

Stars:

 Russell Crowe, Cate Blanchett, Matthew Macfadyen

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Storyline

Birth of a legend. Following King Richard's death in France, archer Robin Longstride, along with Will Scarlett, Alan-a-Dale and Little John, returns to England. They encounter the dying Robert of Locksley, whose party was ambushed by treacherous Godfrey, who hopes to facilitate a French invasion of England. Robin promises the dying knight he will return his sword to his father Walter in Nottingham. Here Walter encourages him to impersonate the dead man to prevent his land being confiscated by the crown, and he finds himself with Marian, a ready-made wife. Hoping to stir baronial opposition to weak King John and allow an easy French take-over, Godfrey worms his way into the king's service as Earl Marshal of England and brutally invades towns under the pretext of collecting Royal taxes. Can Robin navigate the politics of barons, royals, traitors, and the French? Written by don @ minifie-1

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Robin Hood Movie Reviews

Robin Hood is a very professionally made film. Great actors, great production design, great images. It is nice to watch because you feel you are in the capable hands of Ridley Scott. But do not expect to be amazed by the story or the acting. Apart from dame Marion, the characters are two dimensional and predictable. The film pretends to be historically correct, but is of course a well dressed fantasy. There are a few battle scenes, filmed in the Gladiator way. They are exciting, but not very convincing. In fact, they are completely ridiculous when you think you are watching a historically correct film. The worst for me were the boats in the final battle, apparently trying to induce a D-Day feeling.

Overall, the story is off balance. Some scenes have a very slow pace, while other scenes, often key elements that explain how Robin Hood came into existence, are reduced to a few shots and proclamations. The end of the film tells it all: it reminds us that we were supposed to see the story of how the legend of Robin Hood started. The makers just forgot to tell it.

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